a contemporary museum is on the verge of an exciting journey, leaving its home, and enjoy the blurred contradictions of life with old friends in the big city.
they have limited space and time! are they going to make it together?
recharge time for you and your car !
until we invent teleporting aka beaming up, cars will be our go-to vehicle especially for exciting, explorative journeys across the country. Whether with your family, friends, or lovers and even with your carpooling bodies, it is always fun, especially long road trips that end with vacations up in a mountain cabin or a lakeside camping site, in a big city that you have never been, or a small village near a natural park, as they say, the journey is important, not the destination. OK, we think both of them are important as well as how you are reaching there and without initial preparation, it might become longer than it is and turn into a small-sized nightmare. Road-side parks and gas stations with restaurants usually come in handy, however, the experience is also limited with full of concrete. Also as EV riders, we need something more appropriate for our living style, something that overlaps with our worldview. We are not just leaving aside the use of oil-based energy due to distant fuel crisis, we are also looking forward to a more green world, where nature and humans really work and live in harmony with a symbiotic relationship so that not only humans but also nature benefit from the whole process.
enriching two hundred years of production, Tampere has a unique identity with its industrial culture, born with the Finlayson factory, which has also become a small city in the city itself, including any kind of functions needed for the employees. From the borders of the factory, neighborhoods thrived and created a productive urban island for years. Even after the factory completed its mission, the legacy is still alive.
the area dedicated to the museum is in between the factory plot, the palace and the park, and the housing urban blocks that compose a strong interface with the urban nature. the project tries to strengthen the links and connections between the zones by leaving the vast majority of the park side to greenery and art square. the public functions of the museum can be reached from all directions, with a permeable single-story transparent building.
how should we design a museum, -for Sara Hilden's special modern art collections from the second half of the 20th century-, which is also to be a part of the urban nature and texture, a welcoming place for visitors, and as sweet as a home for the art?
massing allocation is blended harmonically with a permeable and light structure into the park, holding common areas. on the opposite, a solid and dark one filling in to the urban block, connecting the exhibition galleries, bonds a strong relationship with the current texture, as well as reclaiming the street and the square as a continuum of the museum, a base for events and festivals.
as the primitive form of the building blends itself into the urban blocks, it also gives way to unconventional perspectives, creating an invisible interface that the users and the objects can interact with its natural artistic imagery
the story of the building starts from the park side of the road with an inviting and flying canopy, including the most interactive spaces of the building, events, seminars, and any kind of programmatic meetings and workshops take place in between the hereditary nature of the Finlayson area.
flexible and diverse exhibition spaces are connected through an alternative interaction route inside, merging galleries together on the museum side, while separating common grounds with a shared street on the park side.